{"id":679,"date":"2024-05-15T08:10:30","date_gmt":"2024-05-15T08:10:30","guid":{"rendered":"https:\/\/stro.my\/?post_type=tribe_events&#038;p=679"},"modified":"2024-05-15T08:10:30","modified_gmt":"2024-05-15T08:10:30","slug":"kafkas-letter-to-his-father-opera-world-premiere","status":"publish","type":"tribe_events","link":"https:\/\/stro.my\/cs\/event\/kafkas-letter-to-his-father-opera-world-premiere\/","title":{"rendered":"Kafka\u00b4s Letter to His Father &#8211; Opera (World premiere)"},"content":{"rendered":"<p>Kafka\u00b4s Letter to His Father is an ambient chamber opera in two acts written by Ji\u0159\u00ed Trt\u00edk based on a letter written by Franz Kafka to his father in 1919. In this correspondence, Kafka attempted to describe the causes and circumstances of their mutual discord, and explain his own life uncertainties and anxieties stemming from this conflict. The new opera, commissioned for the Festival, explores Kafka&#8217;s childhood and adolescence, marked by the fear of his despotic and seemingly all-powerful and omnipresent father. Kafka cannot, nor does he wish to, conform to his father&#8217;s ideals of masculinity and social roles, and thus resists them in his own way. Kafka finds personal freedom in literary creation, and through literature, manages to escape his father&#8217;s authority. Regardless, his father constantly intrudes into his work and is \u2013 nonetheless covertly \u2013 its source and subject.<\/p>\n<p>Kafka wrote this letter to his father at a time when he was already suffering from tuberculosis, perhaps yearning for the possibility to come to terms with this problematic figure in his life, and through this, to reconcile with him to the greatest possible extent. The letter, however, never reached his father\u2019s hands. Apart from being an important axis in the renowned writer\u2019s life, A Letter to His Father is also a compelling testimony to an individual\u2019s upbringing based on fear and the exercise of power, to power and imbalance in general, to the problematic layers of masculinity, to the pain left in a child \u2013 and later in adulthood as one carries childhood traumas within \u2013 by seemingly innocent disdainful remarks, smiles, expressions of impatience. Parent-child relationships often have sharp edges, and Kafka&#8217;s story reveals this with poignancy.<\/p>\n<p><a href=\"https:\/\/www.narodni-divadlo.cz\/en\/show\/kafkuv-dopis-otci-CXr-NGceSuWbsvsb3aYXig\">TICKETS HERE<\/a><\/p>\n<p>Performing<br \/>\nConductor: Ji\u0159\u00ed Ro\u017ee\u0148<br \/>\nOrchestra: STRO.MY Ensemble<br \/>\nKafka: Petr Nekoranec<br \/>\nMother: Victoria Khoroshunova<br \/>\nFather: members of the National Theatre Chorus<br \/>\nChorus master: Luk\u00e1\u0161 Kozub\u00edk<\/p>\n<p>Creatives<br \/>\nMusic: Ji\u0159\u00ed Trt\u00edk<br \/>\nLibretto: Jan \u0160krob<br \/>\nDirector: Josef Dole\u017eal<br \/>\nSet design: Maxim Vel\u010dovsk\u00fd<br \/>\nChoreography: Jan Adam<br \/>\nLighting design: Magdalena Kl\u00e1ra H\u016flov\u00e1<br \/>\nCostumes: Marianna Str\u00e1nsk\u00e1<br \/>\nSound: Adam Bl\u00e1ha, Kl\u00e1ra Ondr\u00e1\u010dkov\u00e1<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kafka\u00b4s Letter to His Father is an ambient chamber opera in two acts written by Ji\u0159\u00ed Trt\u00edk based on a letter written by Franz Kafka to his father in 1919. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-679","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/comments?post=679"}],"version-history":[{"count":1,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/679\/revisions"}],"predecessor-version":[{"id":680,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/679\/revisions\/680"}],"wp:attachment":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/media?parent=679"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tags?post=679"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events_cat?post=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}