Nen\u00e1vistn\u00e9 projevy v\u016f\u010di r\u016fzn\u00fdm skupin\u00e1m lid\u00ed \u2013 Ukrajinc\u016fm, \u017did\u016fm, migrant\u016fm, LGBT+ \u2013 jsou dnes kv\u016fli rozmachu soci\u00e1ln\u00edch s\u00edt\u00ed diskutovan\u00fdm probl\u00e9mem.<\/p>\n
Lze hate speech omezovat, a p\u0159itom zachovat ide\u00e1l svobody slova? Je t\u0159eba lp\u011bt na svobod\u011b slova, pokud slou\u017e\u00ed jako kryc\u00ed \u0161t\u00edt pro nen\u00e1vistn\u00e9 projevy?<\/p>\n
Na p\u0159\u00edkladech si vysv\u011btl\u00edme, co je ve filosofii pova\u017eov\u00e1no za hate speech. Zam\u011b\u0159\u00edme se tak\u00e9 na r\u016fzn\u00e9 p\u0159\u00edstupy k ot\u00e1zce, jak lze h\u00e1jit svobodu slova jako jednu z kl\u00ed\u010dov\u00fdch hodnot, a p\u0159itom hate speech legitimn\u011b kritizovat a omezovat.<\/p>\n
Debata bude prokl\u00e1d\u00e1na klav\u00edrn\u00edmi kompozicemi hudebn\u00edho skladatele Ji\u0159\u00edho Trt\u00edka.<\/p>\n
\u00b7 O AUTOROVI \u00b7
\nTom\u00e1\u0161 Kobl\u00ed\u017eek je v\u011bdeck\u00fdm pracovn\u00edkem v Odd\u011blen\u00ed analytick\u00e9 filosofie na Filosofick\u00e9m \u00fastavu AV \u010cR. Zam\u011b\u0159uje se na t\u00e9mata, v nich\u017e se filozofie jazyka p\u0159ekr\u00fdv\u00e1 s etikou a politickou filozofi\u00ed, jako jsou hate speech, dezinformace, propaganda a svoboda slova. Mezi jeho hlavn\u00ed publikace pat\u0159\u00ed francouzsk\u00e1 monografie La conscience interne de la langue (2021). Ned\u00e1vno tak\u00e9 s Monikou Hanych a Jakubem Kalensk\u00fdm publikoval knihu *Dezinformace a hate speech z hlediska filozofie, pr\u00e1va a bezpe\u010dnosti (2025). Byl n\u011bkolikr\u00e1t hostuj\u00edc\u00edm v\u011bdeck\u00fdm pracovn\u00edkem v badatelsk\u00fdch centrech na \u00c9cole normale sup\u00e9rieure a CNRS v Pa\u0159\u00ed\u017ei a absolvoval studijn\u00ed pobyty na University of Washington v Seattlu a St Mary\u2019s University College v Lond\u00fdn\u011b. Pravideln\u011b spolupracuje s \u010cesk\u00fdm rozhlasem. V roce 2025 z\u00edskal Cenu p\u0159edsedy AV \u010cR za popularizaci v\u00fdzkumu, experiment\u00e1ln\u00edho v\u00fdvoje a inovac\u00ed.<\/p>\n
\u00b7 O SKLADATELI \u00b7
\nJi\u0159\u00ed Trt\u00edk je mezin\u00e1rodn\u011b oce\u0148ovan\u00fd hudebn\u00ed skladatel v roce 2021 obdr\u017eel cenu OSA za nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edho skladatele v\u00e1\u017en\u00e9 hudby v zahrani\u010d\u00ed. Zkomponoval \u0159adu skladeb na objedn\u00e1vku pro sv\u011btov\u00e9 instituce, soubory, \u010di interprety, nap\u0159. N\u00e1rodn\u00ed divadlo v Praze, Kremerata Baltica, Jan\u00e1\u010dkova filharmonie Ostrava, Columbus Symphony Orchestra, \u010dleny Lindemannova programu Metropolitn\u00ed opery v New Yorku, s\u00f3listy The Cleveland Orchestra. Jeho skladby byly premi\u00e9rov\u00e1ny po Evrop\u011b, Spojen\u00fdch st\u00e1tech americk\u00fdch, nebo Japonsku. Tak\u00e9 je autorem hudby k \u0159ad\u011b artov\u00fdch film\u016f – Eating the Future (2024), Vlci na hranic\u00edch (2021), Zelen\u00e1 vdova (2014). V roce 2021 zalo\u017eil STRO.MY Ensemble, mezin\u00e1rodn\u00ed hudebn\u00ed t\u011bleso zalo\u017een\u00e9 na inovativn\u00edm p\u0159\u00edstupu ke klasick\u00e9 hudb\u011b a site-specific vystoupen\u00edch na netradi\u010dn\u00edch, architektonicky zaj\u00edmav\u00fdch m\u00edstech, kter\u00e9 \u010dasto zahrnuj\u00ed vizu\u00e1ln\u00ed a performativn\u00ed prvky.<\/p>\n
\u00b7 PARTNE\u0158I \u00b7
\nAkce je po\u0159\u00e1d\u00e1na za finan\u010dn\u00ed podpory hlavn\u00edho m\u011bsta Prahy, m\u011bstsk\u00e9 \u010d\u00e1sti Praha 2 a Ministerstva kultury \u010cesk\u00e9 republiky v r\u00e1mci liter\u00e1rn\u00edho klubu Laichterova domu.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nen\u00e1vistn\u00e9 projevy v\u016f\u010di r\u016fzn\u00fdm skupin\u00e1m lid\u00ed \u2013 Ukrajinc\u016fm, \u017did\u016fm, migrant\u016fm, LGBT+ \u2013 jsou dnes kv\u016fli rozmachu soci\u00e1ln\u00edch s\u00edt\u00ed diskutovan\u00fdm probl\u00e9mem. Lze hate speech omezovat, a p\u0159itom zachovat ide\u00e1l svobody slova? […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-1556","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/comments?post=1556"}],"version-history":[{"count":1,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1556\/revisions"}],"predecessor-version":[{"id":1558,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1556\/revisions\/1558"}],"wp:attachment":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/media?parent=1556"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tags?post=1556"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events_cat?post=1556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}