{"id":1407,"date":"2026-02-05T07:28:05","date_gmt":"2026-02-05T07:28:05","guid":{"rendered":"https:\/\/stro.my\/?post_type=tribe_events&#038;p=1407"},"modified":"2026-02-05T07:28:05","modified_gmt":"2026-02-05T07:28:05","slug":"autorsky-koncert-vytvarna-performance","status":"publish","type":"tribe_events","link":"https:\/\/stro.my\/cs\/event\/autorsky-koncert-vytvarna-performance\/","title":{"rendered":"Autorsk\u00fd koncert Ji\u0159\u00edho Trt\u00edka a V\u00fdtvarn\u00e1 performace Marianny Str\u00e1nsk\u00e9"},"content":{"rendered":"<p>\u2013 Spojen\u00ed v\u00fdtvarn\u00e9ho um\u011bn\u00ed a hudby na motivy Kafka d\u00edt\u011b. Na koncert\u011b zazn\u00ed<br \/>\nautorsk\u00e9 skladby JT a \u00faryvky z jeho opery Kafk\u016fv dopis otci<br \/>\nKdy: 18. 2. 2026<br \/>\nKde: The House Art, N\u00e1m\u011bst\u00ed p\u0159ed Bateriemi 21<br \/>\nVstupn\u00e9: V duchu projektu \u201eV\u00e1\u017en\u00fd z\u00e1jem\u201c nevyb\u00edr\u00e1me pevn\u00e9 vstupn\u00e9. Pros\u00edme o<br \/>\ndobrovoln\u00fd p\u0159\u00edsp\u011bvek p\u0159i p\u0159\u00edchodu \u010di odchodu. Doporu\u010den\u00e1 \u010d\u00e1stka: 500 K\u010d a v\u00edce na<br \/>\nosobu. Ve\u0161ker\u00e9 p\u0159\u00edsp\u011bvky putuj\u00ed p\u0159\u00edmo interpret\u016fm a na technick\u00fd servis.<br \/>\nOrganizace ve\u010dera<br \/>\n19:00 otev\u0159en\u00ed dve\u0159\u00ed, welcome drink,<br \/>\n19:30 zah\u00e1jen\u00ed koncertu, po koncertu neform\u00e1ln\u00ed setk\u00e1n\u00ed, ob\u010derstven\u00ed a degustace<br \/>\nPlatba mo\u017en\u00e1 hotov\u011b nebo p\u0159es QR k\u00f3d.<\/p>\n<p>Mil\u00ed p\u0159\u00e1tel\u00e9 komorn\u00ed hudby a Salonu Soir\u00e9e,<\/p>\n<p>srde\u010dn\u011b v\u00e1s zveme na v\u00fdjime\u010dn\u00e9 setk\u00e1n\u00ed skadatele Ji\u0159\u00edho Trt\u00edka a v\u00fdtvarnice<br \/>\nMarianny Str\u00e1nsk\u00e9, kte\u0159\u00ed si pro v\u00e1s p\u0159ipravili p\u00e1smo Kafka d\u00edt\u011b utkan\u00e9 ze poetick\u00fdch<br \/>\nskladeb kombinuj\u00edc\u00edch tradici \u010desk\u00e9 klasick\u00e9 hudby s elektronickou hudbou<br \/>\ndoprov\u00e1zen\u00fdch v\u00fdtvarnou performanc\u00ed. Na koncert\u011b zazn\u00ed mimo jin\u00e9 vybran\u00e9 \u00faryvky<\/p>\n<p>z opery Kafk\u016fv dopis otci.<\/p>\n<p>18. \u00fanora 2026 v 19:00. V nov\u00e9m prostoru The House ve spolupr\u00e1ci s projektem<\/p>\n<p>V\u00e1\u017en\u00fd z\u00e1jem.<\/p>\n<p>Poetick\u00e9 skladby Ji\u0159\u00edho Trt\u00edka kombinuj\u00edc\u00ed tradici \u010desk\u00e9 klasick\u00e9 hudby s<br \/>\nelektronickou hudbou ve spojen\u00ed s v\u00fdtvarnou performance Marianny Str\u00e1nsk\u00e9 na<br \/>\nt\u00e9ma Kafka d\u00edt\u011b. Na koncert\u011b zazn\u00ed mimo jin\u00e9 vybran\u00e9 \u00faryvky z opery Kafk\u016fv dopis<\/p>\n<p>otci.<\/p>\n<p>II. Salon Soir\u00e9e<br \/>\nThe House s\u00eddl\u00ed v modernistick\u00e9 vile na Bateri\u00edch od architekta Tom\u00e1\u0161e \u0160a\u0161ka, kde<br \/>\nse p\u0159irozen\u011b propojuj\u00ed architektura, historie a sou\u010dasn\u00e9 um\u011bn\u00ed. Navazujeme zde na<br \/>\n\u00fasp\u011b\u0161n\u00e9 sezony Su\u0161ick\u00fdch Salon Soir\u00e9e po\u0159\u00e1dan\u00e9 rodinou Str\u00e1nsk\u00fdch.<br \/>\nSou\u010d\u00e1st\u00ed ve\u010dera bude i mo\u017enost prohl\u00e9dnout si celou vilu v\u010detn\u011b otev\u0159en\u00fdch ateli\u00e9r\u016f<br \/>\nrezident\u016f a prob\u00edhaj\u00edc\u00ed v\u00fdstavu \u201cM\u00edsto slov\u201d Davida Bohma &amp; Ji\u0159\u00edho Franty.<br \/>\nP\u0159ij\u010fte za\u017e\u00edt propojen\u00ed klasick\u00e9 hudby a sou\u010dasn\u00e9ho um\u011bn\u00ed v atmosf\u00e9\u0159e modern\u00edho<\/p>\n<p>um\u011bleck\u00e9ho sal\u00f3nu.<\/p>\n<p>Kapacita eventu je omezen\u00e1. Proto pros\u00edme v\u00e1\u017en\u00e9 z\u00e1jemce o potvrzen\u00ed \u00fa\u010dasti<br \/>\nide\u00e1ln\u011b do 16.2.2026 na aneta.macolova@thehouse.art, makstransky@gmail.com<br \/>\nT\u011b\u0161\u00edme se na V\u00e1s!<br \/>\nO autorech:<br \/>\nJi\u0159\u00ed Trt\u00edk je mezin\u00e1rodn\u011b oce\u0148ovan\u00fd hudebn\u00ed skladatel, kter\u00fd v roce 2021 obdr\u017eel cenu OSA<br \/>\nza nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edho skladatele v\u00e1\u017en\u00e9 hudby v zahrani\u010d\u00ed. Zkomponoval \u0159adu skladeb na<br \/>\nobjedn\u00e1vku pro sv\u011btov\u00e9 instituce, soubory, \u010di interprety, nap\u0159. N\u00e1rodn\u00ed divadlo v Praze,<br \/>\nKremerata Baltica, Jan\u00e1\u010dkova filharmonie Ostrava, Columbus Symphony Orchestra, \u010dleny<br \/>\nLindemannova programu Metropolitn\u00ed opery v New Yorku, s\u00f3listy The Cleveland Orchestra.<br \/>\nJeho skladby byly premi\u00e9rov\u00e1ny po Evrop\u011b, Spojen\u00fdch st\u00e1tech americk\u00fdch, nebo Japonsku.<br \/>\nTak\u00e9 je autorem hudby k \u0159ad\u011b artov\u00fdch film\u016f &#8211; Eating the Future (2024), Vlci na hranic\u00edch<br \/>\n(2021), Zelen\u00e1 vdova (2014). V roce 2021 zalo\u017eil STRO.MY Ensemble, mezin\u00e1rodn\u00ed<br \/>\nhudebn\u00ed t\u011bleso zalo\u017een\u00e9 na inovativn\u00edm p\u0159\u00edstupu ke klasick\u00e9 hudb\u011b a site-specific<br \/>\nvystoupen\u00edch na netradi\u010dn\u00edch, architektonicky zaj\u00edmav\u00fdch m\u00edstech, kter\u00e9 \u010dasto zahrnuj\u00ed<br \/>\nvizu\u00e1ln\u00ed a performativn\u00ed prvky.<br \/>\nMarianna Str\u00e1nsk\u00e1 je vizu\u00e1ln\u00ed um\u011blkyn\u011b narozen\u00e1 a \u017eij\u00edc\u00ed v Praze. Vystudovala pra\u017eskou<br \/>\nAkademii m\u00fazick\u00fdch um\u011bn\u00ed, kde se specializovala na sc\u00e9nografii a loutk\u00e1\u0159stv\u00ed a z\u00edskala<br \/>\nbakal\u00e1\u0159sk\u00fd, magistersk\u00fd a doktorsk\u00fd titul v oboru divadlo. Vedle pr\u00e1ce pro divadlo, film a<br \/>\noperu, j\u00ed\u017e se v\u011bnovala od roku 2007 i v mezin\u00e1rodn\u00edm kontextu, se dlouhodob\u011b soust\u0159ed\u00ed na<br \/>\nsamostatnou v\u00fdtvarnou tvorbu. Ve sv\u00e9 mal\u00ed\u0159sk\u00e9 praxi \u010derp\u00e1 z osobn\u00ed pam\u011bti i kolektivn\u00ed<br \/>\nhistorie prost\u0159ed\u00ed formovan\u00e9ho z\u00e1sadn\u00ed spole\u010denskou prom\u011bnou po p\u00e1du komunismu.<br \/>\nDlouhodob\u011b se zab\u00fdv\u00e1 obdob\u00edm kolem sametov\u00e9 revoluce v roce 1989, kter\u00e9 pro\u017eila jako<br \/>\nd\u00edt\u011b, a estetikou po\u010d\u00e1tku 90. let. Jej\u00ed obrazy nesou intimn\u00ed rovinu vzpom\u00ednek na ran\u00e9 d\u011btstv\u00ed i<br \/>\n\u0161ir\u0161\u00ed spole\u010densk\u00fd kontext prom\u011bn \u010ceskoslovenska v letech 1989\u20131991. Tyto motivy se do<br \/>\njej\u00ed sou\u010dasn\u00e9 tvorby vracej\u00ed tak\u00e9 skrze zku\u0161enost mate\u0159stv\u00ed, kdy podobn\u00e9 situace znovu<br \/>\npozoruje z dvoj\u00ed perspektivy d\u00edt\u011bte a rodi\u010de, minulosti a p\u0159\u00edtomnosti.Pracuje p\u0159edev\u0161\u00edm s<br \/>\nkresbou, akvarelem a malbou, kter\u00e1 se od roku 2019 stala jej\u00edm hlavn\u00edm v\u00fdrazov\u00fdm<br \/>\nm\u00e9diem. Pracuje s \u0159ed\u011bn\u00fdmi pigmenty, inkousty a vodou, kter\u00e9 nech\u00e1v\u00e1 voln\u011b vstupovat do<br \/>\nstruktury obrazu. Jej\u00ed malba se pohybuje mezi portr\u00e9tem a n\u00e1znakem figury a zachycuje<br \/>\nmomenty, v nich\u017e se osobn\u00ed zku\u0161enost prol\u00edn\u00e1 s kolektivn\u00ed pam\u011bt\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2013 Spojen\u00ed v\u00fdtvarn\u00e9ho um\u011bn\u00ed a hudby na motivy Kafka d\u00edt\u011b. Na koncert\u011b zazn\u00ed autorsk\u00e9 skladby JT a \u00faryvky z jeho opery Kafk\u016fv dopis otci Kdy: 18. 2. 2026 Kde: The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-1407","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/comments?post=1407"}],"version-history":[{"count":1,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1407\/revisions"}],"predecessor-version":[{"id":1409,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1407\/revisions\/1409"}],"wp:attachment":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/media?parent=1407"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tags?post=1407"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events_cat?post=1407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}