P\u0159\u00e1tel\u00e9,
\ndr\u017ete si klobouky, jedeme z kopce! Ve \u010dtvrtek 22. ledna v 19:30 v na\u0161em komorn\u00edm salonu rozb\u0159ink\u00e1 mrazivou zimu napadr\u0165 v\u00fdrazn\u00fd talent mlad\u00e9 generace \u010desk\u00fdch skladatel\u016f, klav\u00edrista Ji\u0159\u00ed Trt\u00edk. N\u011bkte\u0159\u00ed z v\u00e1s jist\u011b maj\u00ed nesmrteln\u00e9 vzpom\u00ednky na jeho dom\u00e1c\u00ed koncert s ans\u00e1mblem Strom.my, kdy n\u00e1m do knihovny nainstaloval ob\u0159\u00edm marimbu. Tentokr\u00e1t p\u0159ijde s\u00e1m, aby se s n\u00e1mi pod\u011blil o nov\u00e9 p\u0159\u00edr\u016fstky sv\u00e9 autorsk\u00e9 tvorby. Na programu zazn\u00ed \u00faryvek z opery Kafk\u016fv dopis otci (slo\u017eenou na objedn\u00e1vku pro ND v Praze), vybran\u00e1 filmov\u00e1 a divadeln\u00ed tvorba, \u010d\u00e1st environment\u00e1ln\u00ed skladby Koncert pro les a dal\u0161\u00ed autorsk\u00e9 kusy s hlubokou t\u00e9matikou.<\/p>\n
Poetick\u00e9 skladby Ji\u0159\u00edho Trt\u00edka navazuj\u00ed na tradici \u010desk\u00e9 klasick\u00e9 hudby a kombinuj\u00ed ji se sou\u010dasn\u00fdm zvukem syntez\u00e1tor\u016f a elektronick\u00e9 hudby. Jako mezin\u00e1rodn\u011b oce\u0148ovan\u00fd hudebn\u00ed skladatel v roce 2021 obdr\u017eel cenu OSA za nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edho skladatele v\u00e1\u017en\u00e9 hudby v zahrani\u010d\u00ed. Zkomponoval \u0159adu skladeb na objedn\u00e1vku pro sv\u011btov\u00e9 instituce, soubory, \u010di interprety, nap\u0159. N\u00e1rodn\u00ed divadlo v Praze, Kremerata Baltica, Jan\u00e1\u010dkova filharmonie Ostrava, Columbus Symphony Orchestra, \u010dleny Lindemannova programu Metropolitn\u00ed opery v New Yorku, s\u00f3listy The Cleveland Orchestra. Jeho skladby byly premi\u00e9rov\u00e1ny po Evrop\u011b, Spojen\u00fdch st\u00e1tech americk\u00fdch, nebo Japonsku. Tak\u00e9 je autorem hudby k \u0159ad\u011b artov\u00fdch film\u016f – Eating the Future (2024), Vlci na hranic\u00edch (2021), Zelen\u00e1 vdova (2014). V roce 2021 zalo\u017eil STRO.MY Ensemble, mezin\u00e1rodn\u00ed hudebn\u00ed t\u011bleso zalo\u017een\u00e9 na inovativn\u00edm p\u0159\u00edstupu ke klasick\u00e9 hudb\u011b a site-specific vystoupen\u00edch na netradi\u010dn\u00edch, architektonicky zaj\u00edmav\u00fdch m\u00edstech, kter\u00e9 \u010dasto zahrnuj\u00ed vizu\u00e1ln\u00ed a performativn\u00ed prvky.
\nM\u00e1me sice nov\u00fd rok, ale u n\u00e1s je jinak v\u0161echno p\u0159i star\u00e9m. Vstupn\u00e9\/v\u00fdstupn\u00e9 z\u016fst\u00e1v\u00e1 na dobrovoln\u00e9 b\u00e1zi \u2013 jsme v\u00e1m vd\u011b\u010dni, \u017ee hudebn\u00edky podporujete f\u00e9rov\u00fdm p\u0159\u00edsp\u011bvkem. D\u011bkujeme v\u0161em, kte\u0159\u00ed se p\u0159ihl\u00e1s\u00ed co nejd\u0159\u00edve \u2013 hodn\u011b mi to \u0161et\u0159\u00ed organizaci i nervy \ud83d\ude42 Nenechte si tento mimo\u0159\u00e1dn\u00fd z\u00e1\u017eitek uj\u00edt, do vy\u010derp\u00e1n\u00ed kapacity jsou srde\u010dn\u011b zv\u00e1ni i va\u0161i p\u0159\u00e1tel\u00e9 a zn\u00e1m\u00ed. \u017d\u00e1dosti o rezervace pros\u00edm na e-mail radka@smejkalova.net nebo p\u0159es WhatsApp \u010di Messenger.
\nZa \u010dtrn\u00e1ct dn\u00ed se na vid\u011bnou t\u011b\u0161\u00ed
\nRadka a Luc<\/p>\n
ENGLISH
\nDear friends,
\nOn Thursday, 22 January at 7:30 pm, our intimate salon will shake the frost off winter thanks to the striking talent of a leading voice of the young generation of Czech composers: pianist Ji\u0159\u00ed Trt\u00edk. Some of you may still cherish vivid memories of his home concert with the STRO.MY ensemble, when he famously installed a giant marimba in our library. This time he comes solo, to share brand-new additions to his own work.
\nThe programme will feature an excerpt from the opera Kafka\u2019s Letter to His Father (commissioned by the National Theatre in Prague), selected music for film and theatre, part of the environmental piece Concerto for the Forest, and further original works exploring profound and resonant themes.
\nJi\u0159\u00ed Trt\u00edk\u2019s poetic compositions build on the tradition of Czech classical music while blending it with the contemporary sound of synthesizers and electronic music. An internationally acclaimed composer, he received the OSA Award in 2021 for the most successful Czech classical composer abroad. His commissions include works for leading institutions, ensembles and performers such as the National Theatre in Prague, Kremerata Baltica, the Jan\u00e1\u010dek Philharmonic Ostrava, the Columbus Symphony Orchestra, members of the Lindemann Young Artist Development Program at the Metropolitan Opera in New York, and soloists of The Cleveland Orchestra. His music has been premiered across Europe, the United States and Japan. He is also the author of music for a number of art films, including Eating the Future (2024), Wolves on the Border (2021) and The Green Widow (2014). In 2021, he founded the STRO.MY Ensemble, an international group built on an innovative approach to classical music and site-specific performances in unconventional, architecturally distinctive spaces, often incorporating visual and performative elements.
\nIt may be a new year, but at our place everything else remains reassuringly familiar. Admission is still voluntary \u2014 and we are grateful for your fair contributions in support of the musicians. Thank you in advance to everyone who signs up early; it makes organising the evening (and keeping my nerves in check) much easier \ud83d\ude42 Don\u2019t miss this exceptional experience \u2014 until capacity is reached, your friends and acquaintances are warmly welcome too. Please send reservation requests by email to radka@smejkalova.net or via WhatsApp or Messenger.
\nSee you in two weeks!
\nRadka and Luc<\/p>\n","protected":false},"excerpt":{"rendered":"
P\u0159\u00e1tel\u00e9, dr\u017ete si klobouky, jedeme z kopce! Ve \u010dtvrtek 22. ledna v 19:30 v na\u0161em komorn\u00edm salonu rozb\u0159ink\u00e1 mrazivou zimu napadr\u0165 v\u00fdrazn\u00fd talent mlad\u00e9 generace \u010desk\u00fdch skladatel\u016f, klav\u00edrista Ji\u0159\u00ed Trt\u00edk. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-1398","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/comments?post=1398"}],"version-history":[{"count":1,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1398\/revisions"}],"predecessor-version":[{"id":1400,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events\/1398\/revisions\/1400"}],"wp:attachment":[{"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/media?parent=1398"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tags?post=1398"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/stro.my\/cs\/wp-json\/wp\/v2\/tribe_events_cat?post=1398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}